Steve Hullfish delves into the wonderful world of film and TV with top editors on the biggest projects.
Chad Galster, ACE, on editing Yellowstone, 1883, and 1923, how being a reality TV editor helps in scripted series, and a journey into methodology.
Steven Spielberg's longtime editors Michael Kahn, ACE, and Sarah Broshar, discuss the collaboration process on his most personal film.
Editors Stephen Rivkin & John Refoua, ACE, on the complexities of creating an Avatar film including performance captures, template phase and final...
Bob Ducsay, ACE, on editing through twists and turns, the advantages of working with writer/director Rian Johnson, and balancing ensemble casts.
Oscar-winner Tom Cross, ACE, on collaborating with director Damien Chezelle again, frenzied pacing, editing to music, and more.
Editors Holly Klein and Ken Schretzmann, ACE, on what they learned editing the Oscar-winning director's stop-motion retelling of the classic tale.
Oscar-winning editor Mikkel E.G. Nielsen, ACE, discusses what it was like to work on writer/director Martin McDonagh's latest film about lifelong...
Writer/director/editor Brett Morgen discusses what it was like to conceptualize and execute his widely-acclaimed cinematic documentary on David Bowie.
Writer/director Zach Chegger and editor Joe Murphy discuss the horror flick that's gone viral, their favorite cuts, using temp scores, and more.
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