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Editing at Its Best

Art of the Cut

Steve Hullfish delves into the wonderful world of film and TV with top editors on the biggest projects.

Top Gun Maverick
Art of the Cut

Weird: The Al Yankovic Story

42 minute read

"Dying is easy. Comedy is hard." Actors love this line, but it might be more true for editors. Pacing, Rhythm, stylistic choices, and even research.

AOTC

Scream VI

25 minute read

Jay Prychidny explains how horror films use sound, how to construct an effective jump cut and how to make repetitive actions more compelling.

Art of the Cut

The Menu

21 minute read

Chris Tellefsen, ACE describes films that inspired this film and serve as a muse; how he judges editing for awards season; and the power of reaction...

Art of the Cut

Ant-Man and the Wasp: Quantumania

31 minute read

Having editors on-set to create a probability storm, find truth in mythology and family, and the advantages of having VFX backgrounds on a Marvel...

Art of the Cut

All the Beauty and the Bloodshed

31 minute read

Editor Amy Foote on juggling emotional, artistic, and structural decisions in the creation of the Oscar-nominated documentary.

Art of the Cut

Fire of Love

27 minute read

The film's editors discuss the importance of montage, narration that helps create tone, and the power of revealing the ending at the beginning.

Art of the Cut

All Quiet on the Western Front

28 minute read

BAFTA & ACE Eddie nominee Sven Budelmann on the power of the 2-shot, creating dynamics to keep a scene from getting boring, and the role of...

Art of the Cut

A Man Called Otto

50 minute read

Oscar-nominee Matt Chesse, ACE talks about collaborating with his director, the art of taking a note, and how he judges editing for Oscars & ACE...

Art of the Cut

Devotion

28 minute read

Billy Fox, ACE, on editing in Premiere, working remotely with his asst. editor, and why monitor placement for Evercast made it feel like he was in...

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