Steve Hullfish delves into the wonderful world of film and TV with top editors on the biggest projects.
"Dying is easy. Comedy is hard." Actors love this line, but it might be more true for editors. Pacing, Rhythm, stylistic choices, and even research.
Jay Prychidny explains how horror films use sound, how to construct an effective jump cut and how to make repetitive actions more compelling.
Chris Tellefsen, ACE describes films that inspired this film and serve as a muse; how he judges editing for awards season; and the power of reaction...
Having editors on-set to create a probability storm, find truth in mythology and family, and the advantages of having VFX backgrounds on a Marvel...
Editor Amy Foote on juggling emotional, artistic, and structural decisions in the creation of the Oscar-nominated documentary.
The film's editors discuss the importance of montage, narration that helps create tone, and the power of revealing the ending at the beginning.
BAFTA & ACE Eddie nominee Sven Budelmann on the power of the 2-shot, creating dynamics to keep a scene from getting boring, and the role of...
Oscar-nominee Matt Chesse, ACE talks about collaborating with his director, the art of taking a note, and how he judges editing for Oscars & ACE...
Billy Fox, ACE, on editing in Premiere, working remotely with his asst. editor, and why monitor placement for Evercast made it feel like he was in...
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