Steve Hullfish delves into the wonderful world of film and TV with top editors on the biggest projects.
Eddie Hamilton, ACE, discusses the process of getting a 4-hour editor's cut down to 2:36, the scenes that were reshot after audience previews & more!
Kelly Matsumoto, ACE and Dylan Highsmith discuss how to make the impossible seem real, how to triple-cut action, and letting emotion drive story.
Oscar-nominated editor Barney Pilling, ACE discusses finding Wes Anderson's "metronome" and the value of creating a storyreel for an entire movie.
A deep-dive into the editing of an animated feature like no other. The process, the storytelling and a bunch of amazing details you won't believe!
A discussion touching on finding truth in a fantastic universe, the interconnectedness of Star Wars stories, and the value of in-person collaboration.
Tim Good, ACE, and Emily Mendez discuss the role of empathy in editing and how shot selection increased tension, emotion, and connection.
Jay Prychidny, CCE, and Ana Yavari discuss working with director Tim Burton, how to be in Wednesday's POV, and transitioning between tonal shifts.
A discussion of finding the truth in the performance, teaching an audience how to watch a show, cutting without music, and more.
Editor Drew Nichols discusses how being a drummer helped with rhythm, being in a band helped with creative collaboration and the magic of...
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