BEEF
28 minute read
Empathizing with flawed characters, using shot sizes to set up character relationships, and collaborating to shape the story throughout the series.
Steve Hullfish delves into the wonderful world of film and TV with top editors on the biggest projects.
Empathizing with flawed characters, using shot sizes to set up character relationships, and collaborating to shape the story throughout the series.
Fred Raskin, ACE and Greg D'Auria discuss the power of a single shot, how an editor almost saved several hundred million dollars, and much more.
The editorial choices in constructing the Oscar-winning documentary. From the stunning opening question to crafting a Hollywood-style sting call.
Oscar-winning editor William Goldenberg, ACE talks about scoring with temp score, knowing when to break the 180 rule, and how an editor becomes a...
Working with musical performances, the value of mentorship, how a great codebook presents a positive image for your post team, and dealing with...
Dan Schalk, ACE deep-dives into topics like jumpcutting, the use of minimal music, using cards on a wall, and adjusting the temperature of...
Editor Nathan Orloff discusses the films that inspired the action and editing of John Wick: Chapter 4, and the editing test he needed to pass.
"Dying is easy. Comedy is hard." Actors love this line, but it might be more true for editors. Pacing, Rhythm, stylistic choices, and even research.
Jay Prychidny explains how horror films use sound, how to construct an effective jump cut and how to make repetitive actions more compelling.
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