Black Adam
37 minute read
Editors John Lee and Mike Sale, ACE, on what it was like working on the VFX-packed film, keeping pace with tons of dailies, and working with pre-viz.
Steve Hullfish delves into the wonderful world of film and TV with top editors on the biggest projects.
Editors John Lee and Mike Sale, ACE, on what it was like working on the VFX-packed film, keeping pace with tons of dailies, and working with pre-viz.
Brothers Sean and Ryan McIlraith on what it's like editing the digital shorts we all love, breaking down the time crunch, and more.
Jay Cassidy, ACE, on his partnership with director David O. Russell, what it was like editing his latest film, and how he attacks dailies.
Editor Monika Willi on working on the Cate Blanchett tour de force, the physicality of editing, and when to keep an audience in the dark.
Affonso Gonçalves, ACE, on what it was like working with director Olivia Wilde on her latest film, musicality in editing, and building tension.
Terilyn Shropshire, ACE, on editing the historical epic based on true events, tackling fight sequences, and capturing the humanity of the characters.
Angela Catanzaro, ACE, on editing on the newest Predator film, the power of silence, and why she likes being on the mix stage.
Editor James Wilcox, ACE, on the role of the documentary style approach to director Ron Howard's film about the underwater rescue that captured the...
Editor Jeff Groth, ACE, discusses teaming up with the Russo Brothers once again, how he organizes insane amounts of action-packed footage, and more.
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