Steve Hullfish delves into the wonderful world of film and TV with top editors on the biggest projects.
Editors Stephen Rivkin & John Refoua, ACE, on the complexities of creating an Avatar film including performance captures, template phase and final...
Bob Ducsay, ACE, on editing through twists and turns, the advantages of working with writer/director Rian Johnson, and balancing ensemble casts.
Oscar-winner Tom Cross, ACE, on collaborating with director Damien Chezelle again, frenzied pacing, editing to music, and more.
Editors Holly Klein and Ken Schretzmann, ACE, on what they learned editing the Oscar-winning director's stop-motion retelling of the classic tale.
Oscar-winning editor Mikkel E.G. Nielsen, ACE, discusses what it was like to work on writer/director Martin McDonagh's latest film about lifelong...
Writer/director/editor Brett Morgen discusses what it was like to conceptualize and execute his widely-acclaimed cinematic documentary on David Bowie.
Writer/director Zach Chegger and editor Joe Murphy discuss the horror flick that's gone viral, their favorite cuts, using temp scores, and more.
Editors John Lee and Mike Sale, ACE, on what it was like working on the VFX-packed film, keeping pace with tons of dailies, and working with pre-viz.
Brothers Sean and Ryan McIlraith on what it's like editing the digital shorts we all love, breaking down the time crunch, and more.
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