All the Beauty and the Bloodshed
31 minute read
Editor Amy Foote on juggling emotional, artistic, and structural decisions in the creation of the Oscar-nominated documentary.
Steve Hullfish delves into the wonderful world of film and TV with top editors on the biggest projects.
Editor Amy Foote on juggling emotional, artistic, and structural decisions in the creation of the Oscar-nominated documentary.
The film's editors discuss the importance of montage, narration that helps create tone, and the power of revealing the ending at the beginning.
BAFTA & ACE Eddie nominee Sven Budelmann on the power of the 2-shot, creating dynamics to keep a scene from getting boring, and the role of...
Oscar-nominee Matt Chesse, ACE talks about collaborating with his director, the art of taking a note, and how he judges editing for Oscars & ACE...
Billy Fox, ACE, on editing in Premiere, working remotely with his asst. editor, and why monitor placement for Evercast made it feel like he was in...
Oscar-winning film editor Conrad Buff, ACE, discusses the challenges and freedom of cutting with sparse dialogue, pacing on both a macro and micro...
Oscar-winning editor Lee Smith, ACE, on reteaming with director Sam Mendes, why you need a good reason to cut, and performance choices.
Chad Galster, ACE, on editing Yellowstone, 1883, and 1923, how being a reality TV editor helps in scripted series, and a journey into methodology.
Steven Spielberg's longtime editors Michael Kahn, ACE, and Sarah Broshar, discuss the collaboration process on his most personal film.
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