A Haunting in Venice
23 minute read
Should you do the research on an adapted movie or not? How do you set-up a jumpscare? How do you deal with a director that's also the star?
Steve Hullfish delves into the wonderful world of film and TV with top editors on the biggest projects.
Should you do the research on an adapted movie or not? How do you set-up a jumpscare? How do you deal with a director that's also the star?
What is cubist editing? How many frames are in the perfect "burst cut?" And why a Moby song from "Heat" ended up in Gran Turismo.
A dive into the crazy transition days between cutting on flatbeds and cutting non-linear. The Fugitive was on the bleeding edge of that. Plus...
Jennifer Lame, ACE, and her team discuss the paradox of cutting a non-linear film in a linear way, and the joys of collaborating with director...
Editors Ken Eluto, ACE, Jane Rizzo, ACE, and William Henry, ACE discuss judging award-worthy editing, how the show's handheld aesthetic affects the...
Triple Emmy-nominee (in 2023 alone) Stephanie Filo, ACE discusses the editing community, using sound to enhance emotion and editing at the speed of...
Heather Persons, ACE and John Valerio, ACE discuss the value of being on location, the reason music sometimes drops in perfectly on a scene and more.
Nena Erb, ACE discusses working with first-time directors, managing ad-libs, transitioning from unscripted, and managing emotional moments amid the...
Nick Houy, ACE, and the post team discuss the montage that made their family members famous and matching the open of "2001: A Space Odyssey" to...
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