Steve Hullfish delves into the wonderful world of film and TV with top editors on the biggest projects.
Chris Tellefsen, ACE describes films that inspired this film and serve as a muse; how he judges editing for awards season; and the power of reaction...
Having editors on-set to create a probability storm, find truth in mythology and family, and the advantages of having VFX backgrounds on a Marvel...
Editor Amy Foote on juggling emotional, artistic, and structural decisions in the creation of the Oscar-nominated documentary.
The film's editors discuss the importance of montage, narration that helps create tone, and the power of revealing the ending at the beginning.
BAFTA & ACE Eddie nominee Sven Budelmann on the power of the 2-shot, creating dynamics to keep a scene from getting boring, and the role of...
Oscar-nominee Matt Chesse, ACE talks about collaborating with his director, the art of taking a note, and how he judges editing for Oscars & ACE...
Billy Fox, ACE, on editing in Premiere, working remotely with his asst. editor, and why monitor placement for Evercast made it feel like he was in...
Oscar-winning film editor Conrad Buff, ACE, discusses the challenges and freedom of cutting with sparse dialogue, pacing on both a macro and micro...
Oscar-winning editor Lee Smith, ACE, on reteaming with director Sam Mendes, why you need a good reason to cut, and performance choices.
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